2012... that was

Yuletide greetings 
and all the very best 
for 2013, Year of the Serpent!
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dates for the diary:
This summer, 7 August - 7 September 2013, there will be an exhibition of photography by Remy Dean at at Oriel Maenofferen Gallery, Llyfrgell Blaenau Ffestiniog Library, Canolfan Maenofferen, Blaenau Ffestiniog, LL41 3DL. Telephone: 01766 830415.

Fantastic Feedback

'Adventures in Feedback', an exhibition of recent work by Mark Eaglen is currently on show at Galeri Caernarfon. A couple of the smaller pieces were ‘premiered’ last year alongside my ‘Night / Light’ photographs at Oriel Maenofferen, and those small but beautifully formed sculptural pieces were just a hint of what was to come from the mind of Mark in the twelve months since. Some of the work you will see in this current show is not actually there…

Eaglen is a technomage, merging lo-fi audio-visual technology and high-brow showmanship. The work is highly personal, yet the yearning nostalgia for analogue and childhood wonder will resonate with many. The ‘Transmission Call’ holographic piece brings to mind afternoons rushing back from the shops and eagerly awaiting the television picture to ‘warm-up’ as we listened to the recap from the previous week’s episode of ‘Doctor Who’. The sculpture is a simplified 1970s TV set laying on its back, as if discarded at a particularly clean and respectful recycling depot. As the viewer approaches it, the dark screen seems to exude a faintly glowing form, the reaction of the viewer attracts the attention of those nearby, who of course cannot see the same thing unless they too come closer. They are drawn to this holographic ‘sculpture’ that floats above the screen like a ghost image, as intangible as a memory.

Like most of the work here, this piece is an exploration of feedback and its form has been created by recording an (analogue) feedback pattern, selecting a ‘frame’ and then assigning the colour and tonal values a three-dimensional depth using a (digital) computer. This three-dimensional ‘graph’ has then been converted to a hologram and now appears as an object that does not really exist.

It relies on basic interaction with the viewer, who has to stand in a particular place in order to see the complete picture. The person stood next to them will see something slightly different, in much the same way as no two people see exactly the same rainbow. I am reminded of the time I saw Marcel Duchamp’s kinetic sculpture from the 1920s titled, ‘Rotary Glass Plates (Precision Optics)’, at the Museum of Modern Art in Barcelona. Duchamp’s piece consisted of sets of glass plates mounted on a motorised drive shaft. On the plates were arcs carefully painted to create partial circles. When the motor switches on and spins the plates, it creates the illusion of concentric circles hovering in the air – this illusion only works for those stood one metre directly in front of the machine.

Duchamp was the first artist to really start examining art as a process and to really recognise it as an ongoing ‘conversation’ between the artist and the wider social circle of the audiences. Though nearly all art relies on some sort of object, the art is not that object. The art begins in the mind of the artist, and then continues in the mind of the viewer. The object is a medium. By focussing on feedback, Eaglen has extended this consideration of process into another ‘loop’: an artist does not create in an isolated ‘bubble’, they are a product of the way that their mind interacts with, and is influenced by, many aspects of the culture that surrounds them. By exhibiting their work, they are presenting it to that wider culture which, to a lesser or greater extent, is then altered by its presence. That altered culture is, in turn, experienced by the artist. A feedback loop has begun.

above: an example of optical feedback from Wikimedia Commons

Other works on show include series of intricate little drawings that shimmer with silvers. Again, the viewer must experience these, first-hand, as they will not translate easily through scans or prints and even these change, depending upon the position of the viewer and the angle of light. There are some audio-visual works and an interactive piece that uses video cameras and projectors to create a feedback loop that you can play with, providing endless delight for children and the child within us all – and again, no two experiences of this subtle work will be the same. There are many tiny delicate forms and a larger wire mesh sculpture that creates a feedback pattern in the eye of the beholder as they approach the form. It looks like it could be a scientific model of something organic.

Although the art space at the Galeri is small and oddly shaped, this exhibition fits perfectly as it has lots of small detail, cleanly and elegantly presented. It is not a large exhibition, but it will reward the viewer who spends time to engage with it. The lasting impression that I came away with was a simple beauty born out of chaos and complexity.

You can see examples of Mark Eaglen’s work at his website here...

Or go to the Galeri website for more information about his current exhibition.

'Evolution of Western Art' by Remy Dean - NEW Book

Firstly, thanks to all who took advantage of the free downloads offer from amazon Kindle store on World Book Day. If you get the time to read either Final Bough and/or Scraps, I hope they are sufficiently entertaining...

My new non-fiction book is now also available (as from today) - alas not for free, but for a very reasonable price. It is a ‘history of art’ text book called, Evolution of Western Art by Remy Dean.

Click image of the cover above to find out more

It is a text book supported with a dedicated weblog: http://dean-evolution.blogspot.co.uk/

Publisher’s Product Description:

'Evolution of Western Art' by Remy Dean is an essential resource for the art student, novice practitioner and general art enthusiast who would like to expand their knowledge, and enhance their appreciation, of art.

This fresh approach to art history follows a timeline that spans more than 40,000 years, from pre-history to the present day, using clear language and specific examples to chart the development of key ideas and major concepts along the path. Art is the ultimate expression of a culture and often survives as the only evidence of how people thought and acted. Could art be one of the factors that saved the human race from early extinction? Do we make art because we are intelligent, or has human intellect grown as a response to our art? How does our art define us?

This text book has been developed by a teacher with more than a decade’s experience of lecturing in art history and contextual understanding to young adults (levels 2, 3 and 4). The aim is to remain clear and concise without over-simplification and not shy away from the important concepts. Each example is approached using a method of analysis suited to the work.

This book guides the reader along a path that runs through the major landmarks in the evolution of western art. It takes in ancient art, mediaeval art, the Renaissance, Baroque, Rococo, the art of the Enlightenment, the Romantics, Impressionists, Expressionists, Modernists, the Abstract, the Post-Modern, the Conceptual and the contemporary scene…

World Book Day: 'Scraps' & 'Final Bough' FREE

As part of the celebration for World Book Day (and Saint David's Day), my publishers questing beast books are offering the Kindle editions of Final Bough and Scraps as free downloads. I expect there will be many other publishers doing the same, so it should be well worth a browse at the Amazon Kindle Store...

The novelette, Final Bough is a sort of ghost story set in Sowdonia, the mountains and valleys of North Wales, and concerns influences from the past affecting the present... Scraps is a 'punk' crime novel that pushed a few boundaries when it was first published back in the early 1990s, and I hope that it remains 'fresh' and 'flippant'...

Find out more about World Book Day at their website, which has lots of free resources and lists book related events by region... World Book Day is 1st March 2012.