This photography project responded to a brief to record details of the old canal that ran through Etruria in Stoke-on-Trent in advance of radical inner city redevelopment. At the time it was disused and in a poor state, its towpath running past the empty, windowless shells of warehouses and factories that were once home to thriving businesses at the heart of the Industrial Revolution. It was a long stretch of dereliction and stagnation with a haunted Romanticism all its own and it felt fitting to freeze frame this state of portentous limbo during a particularly hard winter, as all my winters in Stoke during the 1980s seemed to be!
NEWS: This, That, and The Other has made its web novel dรฉbut on Substack.
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#RemyReviews 'Forbidden Planet' (1956) • 70 Years Later looking back on the development & legacy of the Shakespearean #scifi classic that brought the Golden Age to the screen & changed everything, maybe inspiring #StarTrek my retro #movie #review @framerated.co.uk ๐ธ medium.com/framerated/f...
— Remy Dean ๐ด☠️ (@remydean.bsky.social) Mar 5, 2026 at 17:53
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CHANGES:STOKE:CITY
(Images copyright 1987 Remy Dean - please credit)
CHANGES:STOKE:CITY was one of my earliest series of photographs and became my first public exhibition, shown at the Potteries Museum and Art Gallery, Stoke-on-Trent, in 1987, where I also appeared as a cave man in one of their video exhibits recreating a scene from neolithic life in the region, which was filmed at the 'haunted' Beech Caves.
A few years later, one of the images was used as the cover image of my debut novel, Scraps, published by questing beast books, in 1994, which was partly set in a version of Stoke conjured from my memory and imagination.
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