This photography project responded to a brief to record details of the old canal that ran through Etruria in Stoke-on-Trent in advance of radical inner city redevelopment. At the time it was disused and in a poor state, its towpath running past the empty, windowless shells of warehouses and factories that were once home to thriving businesses at the heart of the Industrial Revolution. It was a long stretch of dereliction and stagnation with a haunted Romanticism all its own and it felt fitting to freeze frame this state of portentous limbo during a particularly hard winter, as all my winters in Stoke during the 1980s seemed to be!
'The Box of Delights' (1984) ๐บ read my extended #review of the new 40th Anniversary Edition #Bluray @framerated.co.uk — magical storytelling in a beloved #Christmas TV classic: ▶️ medium.com/framerated/t... It wouldn't be Christmas without it๐ 40th Anniversary broadcast on BBC4 starts Saturday
— Remy Dean ๐ (@remydean.bsky.social) December 6, 2024 at 9:06 AM
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CHANGES:STOKE:CITY
(Images copyright 1987 Remy Dean - please credit)
CHANGES:STOKE:CITY was one of my earliest series of photographs and became my first public exhibition, shown at the Potteries Museum and Art Gallery, Stoke-on-Trent, in 1987, where I also appeared as a cave man in one of their video exhibits recreating a scene from neolithic life in the region, which was filmed at the 'haunted' Beech Caves.
A few years later, one of the images was used as the cover image of my debut novel, Scraps, published by questing beast books, in 1994, which was partly set in a version of Stoke conjured from my memory and imagination.
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