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Showing posts with label Evolution of Western Art. Show all posts
Showing posts with label Evolution of Western Art. Show all posts

Thursday, 21 March 2013

David Bowie Is (was and always will be)

...so who was Ziggy?

(the following entry is an extract from the book Evolution of Western Art by Remy Dean)
Oscar Wilde said, “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.” The character of Ziggy Stardust was created and played by David Bowie – a parallel personality that is both fictional and biographical. With the 1973 album, The Rise and Fall of Ziggy Stardust and the Spiders From Mars, Bowie examines the outsider role (roll) of rock stars, and other such artists: characters that exist in extremis for the vicarious enjoyment of the mass audience, an audience who may fantasise about living such a lifestyle, yet welcome the ultimate ‘morality-tale’ (self) destruction of such characters.

Ziggy has clear parallels with Thomas Jerome Newton, a character created by Walter Tevis in his 1963 novel, The Man Who Fell to Earth. This strong connection landed Bowie the starring role in Nicholas Roeg’s 1976 film adaptation of the book, and music originally composed by Bowie with the film’s soundtrack in mind later appeared on his album, Low (1977).


"Mr Newton has had enough..." David Bowie in The Man Who Fell to Earth
In this way the concept of Ziggy Stardust can be seen as a result of creative collaboration and as part of a cycle that ‘feeds-back’ into complementing one of its influences. This is a fine example of Post-Modern cross-referencing and could also be seen as a near definitive work of Pop Art. The concept spans across different mass media – literature, popular music, theatre, cinema – and spills into the secondary cultural network of criticism, reportage and hype. Ziggy Stardust became established as a character of modern mythology.

In Bowie, the characters of Stardust and Newton instantly became fused and can be seen as facets of the same archaetype. Both characters become seduced by the excesses of the rock ’n’ roll lifestyle and are ultimately ‘loners’. It is ambiguous whether Ziggy Stardust is an alien from outer space or if he is, temporarily, the conduit for an extraterrestrial consciousness. Whichever he is, he is privy to the fact that the world will end in just five years time and chooses to communicate to the human race through the medium of pop, broadcasting a message of peace and harmony. There is hope that, even if the planet is doomed, its inhabitants could be redeemed before their demise.

Thomas Jerome Newton is definitely an alien who has been sent to Earth in a last-ditch attempt to save his own parched planet of Anthea. His mission is either to prepare the earth to receive his planet’s refugees, or construct space vessels capable of transporting much needed water back to his homeworld. He quickly builds an impressive business portfolio of cutting-edge technology companies and products, though also begins to realise that he will be unable to complete his mission. Poignantly, he writes songs and records groundbreaking electronic rock music that he hopes will carry his lyrics out into space where his distant family will, perhaps, hear his voice once more…

With Ziggy Stardust, David Bowie created the template for the Modern rock star. He was image-conscious in his public projection, utilising theatrical make up and costume design. His definitive manifestation of Glam Rock played with gender ambiguity and contrasted this with ‘cock-rock’ posturing. He changed the face of rock’n’roll, elevating it to an art form and setting a benchmark for those who were to follow, also foreshadowing important transmedia genres such as Cyberpunk and Futuregoth. Ziggy Stardust remains a pertinent multi-media ‘essay’ about ‘The Other’ and otherness.

More Bowie stuff here...



Wednesday, 18 April 2012

'Evolution of Western Art' by Remy Dean - NEW Book

Firstly, thanks to all who took advantage of the free downloads offer from amazon Kindle store on World Book Day. If you get the time to read either Final Bough and/or Scraps, I hope they are sufficiently entertaining...

My new non-fiction book is now also available (as from today) - alas not for free, but for a very reasonable price. It is a ‘history of art’ text book called, Evolution of Western Art by Remy Dean.

Click image of the cover above to find out more

It is a text book supported with a dedicated weblog: http://dean-evolution.blogspot.co.uk/

Publisher’s Product Description:

'Evolution of Western Art' by Remy Dean is an essential resource for the art student, novice practitioner and general art enthusiast who would like to expand their knowledge, and enhance their appreciation, of art.

This fresh approach to art history follows a timeline that spans more than 40,000 years, from pre-history to the present day, using clear language and specific examples to chart the development of key ideas and major concepts along the path. Art is the ultimate expression of a culture and often survives as the only evidence of how people thought and acted. Could art be one of the factors that saved the human race from early extinction? Do we make art because we are intelligent, or has human intellect grown as a response to our art? How does our art define us?

This text book has been developed by a teacher with more than a decade’s experience of lecturing in art history and contextual understanding to young adults (levels 2, 3 and 4). The aim is to remain clear and concise without over-simplification and not shy away from the important concepts. Each example is approached using a method of analysis suited to the work.

This book guides the reader along a path that runs through the major landmarks in the evolution of western art. It takes in ancient art, mediaeval art, the Renaissance, Baroque, Rococo, the art of the Enlightenment, the Romantics, Impressionists, Expressionists, Modernists, the Abstract, the Post-Modern, the Conceptual and the contemporary scene…