Friday, 7 January 2022

...onward into 2022

Happy New Year! 

Here is a brief round-up of things I did in 2021 that may be of interest to others...

I already summarised the first quarter HERE which saw plenty of my writings published, about film and art, plus a virtual author's tour of schools for World Book Day following-on from a couple of virtual residencies. 

The summer saw more writing, but a lot of it was 'in the background', including a new lease of life for an array of television script ideas, due to an injection of funding to facilitate their collaborative development. It may be a while until any of that is likely to be unleashed, though! 

My visual art also explored avenues anew and collided with text to take things in a whole new direction... I wrote a related piece for Signifier about this merging and morphing into post-literate abstraction - click image below to read for free: 

Writing to Escape the Words in Signifier

I am honoured to have been accepted as an Arts Council of Wales Associate and looking forward to exploring all that may entail. In my role as Creative Consultant in Education I offered distanced learning, a mentoring programme, and also oversaw a collaboration with the forward thinking school Ysgol y Foryd, near Rhyl, and two inspiring artists, Sal Maguire of Round the Twist, and Liam Rickard aka WorldWideWelshman, who helped the pupils explore illustration, folklore, climate, and to write and perform their own original (and super-catchy) songs - one about the myth of the fearsome, flood-bringing Afanc, and another that's a pop party anthem.

This creative adventure continues with the preliminary planning of a second educational project, and I'm looking forward to developing this into 2022 with three new Creative Practitioners - Tara Dean, along with Libby Edwards and Stuart Loughland of Magic Light Productions. The potential is immense and I can only expect... the unexpected!  

I was inaugural Curator for Signifier : Six : Shot : Gallery which featured a dozen artists in its first year: Stephen Green, Julie Upmeyer, Lou Gunstone, Tim Pugh, Elin Hughes, David Thomas, Jan Gardner, KK Sharma, GĂ©raldine Swatridge, Darren Neave, James Milne, and currenlty samples from my Biodes series are the January 2022 exhibition. The Signifier’s Six Shot is an online gallery that showcases just six images linked by aesthetics, techniques, processes, philosophies, formal or conceptual elements. The accompanying statement by the artist may not necessarily explain the work but will help build a deeper and more meaningful engagement with it. 

(I am currenlty sorting out the Six Shot schedule for 2022, so if you would be interested in showing work, feel free contact me with your proposal and a request for guidelines.)

I continued to contribute regular articles on art, design, and media to the Signifier publication and you can 'jump in' with these selected examples - try to guess the subject before clicking on the image: 


...and I enjoyed writing regular reviews of film and television as a critic at Frame Rated. Here are a few choice retrospectives, 'deep-dives', and reviews I particularly enjoyed - see if you can identify the movies from these stills before clicking-through to the reviews: 


If you have enjoyed any of my art and writing, please consider showing some love and support. Simply spreading the word via your social channels would be a big help and won't cost a penny. So, take a moment to share articles, art, and reviews that you found of interest because, chances are, others may also. 

Much of my online writing is syndicated to the Medium platform where I am listed as a Top Writer in the categories of Art and Movies. If you haven't yet, please consider subscribing to Medium via - this link - I receive a small referral fee and you get unlimited access to The Signifier publication and Six Shot Gallery, plus Frame Rated and all the quality writing on Medium, which is focussed on providing a smooth reader experience across multiple devices and platforms. It’s a great deal!

The best way to support any indie author, is to purchase their books! If you enjoy the work of a writer, then a reader review on your preferred peer-sharing platform is a brilliant way to show support and get the word out to others who may also enjoy their books. If you know anyone who enjoys reading “imaginative fiction at its best,”  This, That, and The Other is my latest series of epic fantasy adventure novels, written with Zel Cariad, and the first four are available from The Red Sparrow Press.

That's all for now, except for me to wish you and yours all the very best for 2022!

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Wednesday, 24 March 2021

What Have I Done in 2021 So Far?

A rapid round-up of my 'what-when-where' for the first quarter... 

First up, I have to say I'm so glad to live in the age of modern medicine and vaccines, in a country with a National Health Service... focusing on the positives here, in a time of many negatives. Never 'Back to Normal'. Only 'Back to Better' is acceptable.

Despite the past 12 months of COVID-19 control lockdowns, I have managed to get on with some art activity 'out there'. Curating the . six . shot . gallery . for the new online initiative from The Signifier has been inspiring. I suppose you could say that I led by example with The Stars, At Our Feet, the inaugural exhibition to welcome in the New Year, and have been followed by two really intriguing, enigmatic and poetic online shows from Stephen Green and Julie Upmeyer. I look forward to artist Lou Gunstone taking the slot for April, adding a bolder splash of colour with his illustrative, pop-art vibe... 

I've also been regularly contributing articles about art and design in context for The Signifier publication. You can 'jump in' with these selected examples - try to guess the subject before clicking on the image: 

...and I continue writing regular reviews of film and television as a critic at Frame RatedHere are a few reviews I particularly enjoyed writing recently - kudos if you can identify the movies from these stills before clicking on them:  

The readership for This is growing slowly but surely as more people get to know Rietta and Carla, joining them on their adventures across the magical realms of This, That and The Other... 

I thoroughly enjoyed a few virtual author visits to primary schools for this year's World Book Day, to talk about my favourite books from childhood and to read from This Part One. I was able to be there without travelling, and without that travel time, I could appear live in more places on the day than would've been otherwise possible. Through the magic of modern media, I even managed to be in more than one place at the same time! Big thank you to the schools for having me, to all those who listened to my stories, and for sharing the amazing art you felt inspired to make - see if you can spot your 'work in progress' below... 

As an author, I've enjoyed concentrating on writing (I could get used to this!) but much of my 'work' had been leading creative educational workshops in schools, colleges, and the wider community, so the pandemic definitely hit some of my main outlets pretty hard. I know I'm not alone in this and have been privileged to continue working for the Arts Council of Wales, helping to facilitate their forward-thinking Lead Creative Schools initiative. It has been a challenge to innovate and adapt, using a 'blended approach' to accommodate these challenging times for the schools, the children and their families. 

I have also been developing workshops and courses for digital delivery and hope to offer free preview access to 'friends and followers' in the near future (watch this space). In the meantime, I have launched my 'Buy Me A Coffee' page (if you're feeling kindly, then a 'coffee' is always very much appreciated) where I will be offering goodies such as signed prints and exclusive downloads... 

There is also a growing selection of merchandise for This, That and the Other at the Red Sparrow Press website including lovely mugs and specially designed stationery. The best way to support small indie publishers and their authors, is to purchase their books or simply to help spread the word via your social media. If you enjoy the work of a writer, then a reader review on your preferred peer-sharing platform is a brilliant way to show support and get the word out to others who may also enjoy their books. Huge thanks to those who have taken time to write reviews of my books on Amazon and Good Reads already! Of course, sales of merchandise can also help a lot... 

The dogs and dragons of This - who can resist Scrufty, Lucky, and Smugly?

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Tuesday, 29 December 2020

2020 Went Astray

2020 unravelled like a teaser trailer for The End of the World! 

Perhaps the comet was an omen? 

Neowise C/2020 F3 was a rare and beautiful sight in the clear night skies of Spring but it just happened to coincide with the whole world going strange and scary. 

Comet Neowise photographed by NASA's Hubble Telescope in August 2020

The planet seemed to catch on fire and huge swathes of important habitats went up in smoke across every continent. Not only was this a disaster for the wildlife that lived in those locations, the amount of carbon released into the atmosphere really fed into the same global warming cycle that had been a catalysts in the first place. The wildfires were probably the most significant global disaster, though just a small component in the current climate crisis, of course! Droughts ravaged many parts of the world as temperatures soared to record highs, whilst in other parts there was flooding of 'biblical' proportions, brought on by more storms ever named in a single year... 

Then came the Corona-virus pandemic. Enough has been said and written about that all year, so I shan't dwell upon it here. Suffice to say that it may well be a practice run for regular, and possibly more virulent, pandemics to come so it's important to learn as much as we can from this experience. Possibly the most important 'take-away' from this is that viruses don't respect your political views. There's no point protesting against a microbe! Politicians need to put people before profits and the NHS has to be better funded! Also, we witnessed a global demonstration of how, when we feel threatened, humans can become highly irrational and easily distracted. Let's change our ways and work out how to 'pull-together' next time... 

Unfortunately, the politics of the last few years have tended more and more toward division rather than unity... it's an old ploy to take power from the masses - set them squabbling over something relatively trivial, like say, Brexit. Polarize the population and then flood those debates with lies and uncertainty. If people think that facts are 'fluid', then how will they decide what to believe? It leaves them free to select anything that supports what they already believe, so they will seek out 'news' and views that simply agree with their own world view. Of course public response to non-trivial issues, such as equality and environment, can also be manipulated using this method. 

Oh, mentioned Brexit there, didn't I? Sorry. Ah, well, we are going forth with some sort of last-minute deal that, after spending more than our entire subscription to the EU since we joined in 1973, seems to be only a bit worse than what we started with. And that's better than it nearly turned out - so let's be looking for the potentials - in the hope of finding at least some tangible benefits? Thankfully, I managed to avoid mentioning Trump (another global disaster!) But I should mention BLM, which became a rallying cry for much-needed social evolution. 

2020 was a mess. Perhaps the best thing some of us can say in its favour is, "It could've been worse and at least we made it through!"

Now, there's a new year looming, a time for each to reflect and think ahead. Look back on what we have done and forward to what we can do to steer toward the future we really want. 

I chatted with Julie McNicolls Vale at Cambrian News for their maes supplement, back in August... here's the published feature about creative life in lock-down Wales, being a virtual artist in residence for the Arts Council's Lead Creative Schools online programme with Tredegar Park Primary, taking part in Plas Bodfa's international Unus Multorum 2020 online art festival, and my new epic fantasy book THIS (part four) written with Zel Cariad and concluding Book One of our This, That and The Other trilogy! 

 Click thumbnail image to read PDF

Lock-down life suited me fine. I got to spend time with my family and enjoy daily exercise together walking our dog in our local woodlands. I do realise the experience would’ve been a real challenge, and not so idyllic for many, especially those alone in an environment with limited access to natural spaces… and of course, all the NHS staff, carers, and essential support workers that have tirelessly kept our society going have been doing a difficult job very well. But for us, watching the ancient forest go through its cycle of life for a whole year was a constant comfort. It was endlessly fascinating and a privilege to be afforded the time to be on intimate terms with the flora and fauna of the ancient landscape, peaceful and left almost undisturbed by other humans. 

It gave us hope for a better, greener future after lock-down, as people realised they didn’t really need half the ‘baggage’ of the modern world to survive. Perhaps they've glimpsed the cons of capitalism? We’re still hoping that we never get back to ‘normal’ - only back to better is acceptable. 

My year in books 
- one small step for Fantasy, 
one giant leap for this Fantasy author!

Four years in the making, THIS arrived complete and published in four parts from The Red Sparrow Press. Me and my 'creative consultant', Zel Cariad had a wonderful time putting the story together, pick'n'mixing bits'n'pieces from folklore and fairy tales and bringing them right up to date into the modern imagination. I also posted a small gallery of my illustrations used on the paperback book covers, which saw the year in as part of The Folklore and Fairytales of North Wales exhibition at Oriel Ty Meirion, over winter 2019-20...

THIS is just the beginning... the first book in the trilogy, This, That and The Other

We really appreciate our readers who have been supporting us so far and helping to spread the word, and a very warm welcome to our new friends who can step into the story via the samples below and join the journey with Rietta and Carla as their friendship is tested across the three magical realms...  

As summed-up in a few reader reviews: "Bursting at the seams with magic," and, "will be enjoyed by fans of fantasy of all ages, especially those who like the classics like the Narnia saga," and, "a lovely depiction of friendship," and most recently a Red Button review that proclaimed THIS was, "imaginative fantasy at its best, wonderful work and heartily recommended..."

My year in art 
- really, 20:20 should've been great for visual arts
...and in many ways it was! 

As an author and artist, I enjoy working solo much of the time, but I was also fortunate to have several outlets for creative collaboration during isolation. 

Just before the nation went into lockdown, I was installing an epic wall drawing in Plas Bodfa, an arts centre in Angelsey, for a major arts festival involving more than 100 international artists. The pandemic was already affecting many of those artists from other countries who found themselves adapting to send their work or to present it virtually. Then, one week before the final installation and opening to the public… well, that’s when everything changed. 

Corridraw: Writing on the Floors photographed by Kim Vertue, 
Writing on the Walls stills from the film, Possibilities of a House 
produced by Culture Colony for Plas Bodfa

The instigator and curator, Julie Upmeyer, who has boundless energy and drive, refused to let things drift and instead organised a series of online and virtual events that became the Unus Multorum 2020 Online Arts Festival. This involved several live-streaming events and she also facilitated a virtual environment using Zoom and social media for the artists involved to interact and collaborate. Unus Multorum also incorporated the launch of Plas Bodfa Objects, a selection of limited edition Artist's Multiples that migrated far beyond the exhibition environment, taking the Festival across the country and beyond - via mail order. My contribution was a special edition of 10 Cicorc... 

I think that, although I didn’t meet many in person, I got to know more of my fellow artists than I would’ve at a ‘real world’ event! I’m also pretty sure that more people around the globe got to see the art who wouldn’t have been able to get there in person, even under normal circumstances. 

Two Cicorc pals, 'James W. Fisher' and  'Arkinholm', exploring Plas Bodfa 
photographed during lock-down by Julie Upmeyer

I love a good residency and also enjoy leading creative workshops in the community. Alas, such opportunities were unrealistic during a global pandemic! However, through the Lead Creative Schools programme, part of the national Creative Learning initiative helmed by the Arts Council of Wales, I did manage to deliver another virtual residency which worked out rather well, at Tredegar Park Primary School - coincidentally, situated in the grounds of my ancestral home! We all shared adventures exploring islands of the imagination. Currently, I'm working with another fantastic school, Ysgol y Foryd in North Wales, on an exciting new project that will take us into 2021, involving food, fun and story-telling - watch this space [ can read the artist call-out for this exciting Lead Creative Schools project as a PDF HERE]

Another thing that 2020 has encouraged is greater generosity in the sharing of content online. For example, in partnership with The Red Sparrow Press, I was able to make THIS part one available as a 'FreeBook' on the Medium platform, initially during schools closure, but it ended up staying there all year... and I have enjoyed visiting many online galleries and exhibitions, so I've seen more world-class art than I would've done on the usual trips to London and Cardiff. 

I began the year with a presentation at Oriel Colwyn, The North Wales Photography Gallery, of my project, The Stars, at Our Feet. So, it's quite fitting that photographs from that series will feature as the inaugural exhibition at The Signifier's new online initiative - The Six Shot Gallery - which I will then be curating for the rest of 2021 to showcase the work of a different contemporary artist each month. 

Presenting The Stars, at Our Feet at Oriel Colwyn in pre-lock-down 2020
photograph, left, by Kim Vertue, and right, courtesy of the gallery

Aside from THIS, the fantastic new novel, my recent writing has appeared in the following online publications:

- for which I have contributed regular articles on the history of art 

- for which I contributed a piece on the marvelously misconstrued collection of Welsh mythologies known as The Mabinogion 

- for which I continue to write regularly as a film critic, often in-depth retrospectives of classics, occasionally reviews of new releases...  

Wishing you all the very best and with a very special, "Thank You!" to everyone who has been reading what I've written and appreciating the art I've made. I especially hope you are enjoying spending time in the Realms of This That and The Other... and... I'm very excited to announce that there is a publishing deal in place for the next book, so will be working on THAT, again with Zel Cariad's invaluable input, and if all goes to plan, the wait for THAT (part one) won't be too long! 


Roll-in and roll-on, 2021! 

Monday, 13 July 2020

THIS is complete!

This Part Four : This Fair Land, Wherein Dreams and Magics Meet is now published and concludes Book One of This, That and The Other.

This parts 1, 2, 3 and 4 by Remy Dean with Zel Cariad


Time is running out.

After their narrow escape from the besieged Citadel, Rietta and Carla must finally fulfill their promise to the Fair Ones. Using powerful magics stolen from the Elfyn empire, they seek to protect the Three Realms by reciting an ancient and dreadful spell...

They soon learn that things are not as they expected. As hopes of their safe return home are consumed in fire and darkness, the girls realise that there are dire consequences. Now, more than ever, they must rely on each other and the magical friends they have made on their journey.

But is everyone who they appear to be in the final, thrilling instalment of This?

This That and the Other is imaginative fantasy, on an epic scale. The story follows the special friendship between two girls who embark on a magical adventure together, across the three realms. It is a modern fable inspired by fairy tales and folklore whilst remaining relevant to today's most important issues, in the tradition of The Neverending Story, The Box of Delights, The Chronicles of Narnia

All of This is now available in paperback and e-book formats published by
  The Red Sparrow Press 

readers who are new to This can join the adventures of Rietta and Carla below

Monday, 15 June 2020

Back to Better

I am an author and artist. I am not a full-time politician or government official. I have no easy-fix solutions... but wouldn't it be lovely if the 'economy' simply collapsed and became nonviable, so we were forced to find another way of coexisting based on mutual care and respect for each other and all aspects of our natural environment?

We created money, and the resulting economy was a way of helping society run smoothly. It was there to serve us, but now it seems we are its slaves, expected to make sacrifices that risk our lives and even 'life on Earth' in order to save the unsustainable 'economy'. This makes no sound sense.

One step away from such economic slavery would be to introduce a functional guaranteed basic income, as a first step in disassembling our money-driven economy and replacing it with a creative human-driven 'green' economy. As the nations of the world consider global recovery, we all need to re-think our priorities. Now would seem an ideal time to 're-boot' and do this.

Environmental recovery is essential.

Never 'Back to Normal' 
Only 'Back to Better' is acceptable 

to build a future for all life on Earth

Monday, 1 June 2020

Unus Multorum 2020 Online Festival

Plas Bodfa, based on the Isle of Anglesey, North Wales, is hosting a series of brave and exciting arts initiatives.

Last year, I was fortunate to be selected for the inaugural 'artists takeover' under the banner of Sui Generis - an ambitious project that brought more than 60 international artists together to respond to the location that has been many things including a family home, a steakhouse, a care home, a tapestry studio with visitor centre, and is now in transition once more into a family home with attached studios and arts centre!

Participants from across Europe, Australia and the Americas all contributed some amazingly varied work and Sui Generis was listed among the Top 10 art events in Wales for 2019.

My two, linked contributions were, In Lieu (of All We Are) - a text-based installation in one of the several bathrooms, and Corridraw: Escape Route, which featured large-scale gestural writing, drawn directly onto the walls of the passageways, and brought together concepts I have been exploring in the Writing to Escape and 360 series.

This year, artist-instigator-curator Julie Upmeyer decided to do something even bigger that would involve more than 100 creatives. This 2020 event was titled Unus Multorum and followed a similar, installation-driven format, whilst integrating the launch for 'Plas Bodfa Objects' - a selection of exclusive artists' multiples.

Due to the lock-down in response to the Covid-19 pandemic, the way that the art was to be revealed to the public had to be re-imagined. So, instead of an 'open-house' approach scheduled for April-May, the exhibition has morphed into an extended global arts festival with a series of virtual events including regular uploads of online galleries that showcase the work already installed and some of the work-in-progress that was intended for inclusion. There is also a programme of monthly video live-steams, each linked by a broad theme and featuring some of the artists talking about their work.

Along with Fiona Davies (joining us from Australia), Sian Hughes and duo Stanley & Bould, I was a guest for the first live-stream in May, with the theme of 'House', and here I talk about my contributions to the Unus Multorum 2020 Festival which are Corridraw: Continuum - an extension to Escape Route already near-complete when lock-down was brought in for Wales, and the Plas Bodfa edition of 10 new Cicorcs - the lucky cork sea-dogs...

click to play (my section begins at 50 minutes in this recorded live video)





Saturday, 4 April 2020

100 Film Reviews

Dario Argento's Inferno (1980) is forty years old and still seems fresh to me! So, I've written a retrospective review of what is one of my favourite horror films of all-time - which is only fitting to mark the 100th review I've penned for the online movie magazine, Frame Rated.

I can still clearly recall writing my first review for the (free to read) top-notch cinema and television review site... that was back in 2017 and it doesn't seem like nearly three years ago since I enjoyed a re-watch of John Woo's action movie game-changer, Face/Off (1997) ...fantastic fun watching Nicolas Cage and John Travolta trying to out-act each other!

I tend to write fairly in-depth, long-form reviews, usually around 2,000 words, though some are considerably longer... Which means they add up to over 200,000 words... That's equivalent to a few novel-length books! About three book's worth of writing in the time it's taken me to write... well, three books, as it happens!

(In case you didn't know - parts one, two and three of This are out now - scroll down previous posts ↓ to find out more and, during UK Schools Closure 2020, you can read part one as a Freebook on the Medium platform HERE.)

It's only when you look back on things as a writer, that you realise that every word set next to its neighbour to grow into a sentence that works with the next sentence to create mood, milieu or meaning, has almost alchemically combined to tell a story, to flow toward a conclusion, to build a body of work. Writing is certainly a kind of magic, a distillation of thoughts, memories and time...

So, perhaps, like me, you are in corona lockdown? Considering what movie to watch next? Have a scroll though my back-catalogue of film reviews at Frame Rated - there's a good range of classics, dating back to the 1920s, right up to current releases. If you love cinema, you may well enjoy them - I work quite hard at the research stage and endeavor to include info and observations you won't easily find elsewhere... Pretty much any genre you like will be at least touched upon - there are Westerns, Noir, War, Martial Arts, Mystery, Suspense, Action, Thriller, Comedy, Courtroom Drama, Historical Epic, Art-House, Science Fiction, Fantasy and Horror!

... and then, check-out all the other great film writing at Frame Rated... which celebrates its 5th online anniversary this year, in June.

...and here's my 100th review:
Since his directorial debut, The Bird with the Crystal Plumage (1970), Dario Argento became known as a prominent proponent of the Italian giallo. Except for the historical satire, The Five Days (1973), his first five films and two television shorts all helped to define and consolidate this important new sub-genre. Their domestic box-office success earned him a degree of celebrity in his Italian homeland, where he also became known as a director who enjoyed challenging expectations and playing with established tropes—even those he’d established himself. But, it wasn’t until he broke away from giallo with his first full-blooded supernatural horror that he gained any substantial international traction.

On the strength of its Italian success, the US distribution rights for Suspiria (1977) were snapped-up by 20th Century Fox. They immediately ran into resistance from the Motion Picture Association of America (MPAA), who refused it certification. It was unlike anything they’d seen before and the explicit, though artfully balletic, murder scenes were deemed gratuitously violent. Fox decided to distance themselves from it and resubmitted it through International Classics, their subsidiary company dealing with foreign and arthouse fare. After trimming eight-minutes of the more extreme gore, they were granted an R-rating and, although it wasn’t released until August, it ended up being Fox’s seventh highest-grossing release of 1977. Of course, their biggest movie that year was Star Wars!

...continue reading at Frame Rated

*  *  *

Incidentally, my latest long-read article for Folklore Thursday also published this week and you can read that HERE :