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#RemyReviews 'Sana' (2023) + 'Sana: Let Me Hear' (2024) Takashi Shimizu's compelling new #JHorror #GhostStory duology fits a subgenre featuring infectious media where an intangible image or sound can possess people read my #horror #movie #review @framerated.co.uk ๐Ÿ‘ป medium.com/framerated/s...

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— Remy Dean ๐Ÿด‍☠️ (@remydean.bsky.social) Nov 7, 2025 at 8:41 PM

#Moelwyns


Selected images from the series of photographs documenting my attempt to capture the ever-changing moods of the Mynyddoedd Moelwynion mountain range, the transient atmospheric conditions that only people who are lucky enough to live here, in Eryri (Snowdonia), really get to know. I see the Moelwyns and walk their slopes almost every day of the year... They remain the same, yet continually change. They never get old. 

I have approached #Moelwyns more as a 'documentary' than as 'landscape photography' - the original concept was to make all the images from the same viewpoint (marked by a sacred tree) and build up a sort of 'time-lapse' of changing conditions, though I have treated this as a loose directive rather than a rigid rule. 

To keep up with this online #Moelwyns series 'live' on twitter (a 10-year project 2014 - 2024) click here






  


(Photographs, copyright 2012-2015 Remy Dean - please credit)


works from this series are occasionally archived on this Pinterest Gallery 

a selection featured as the April 2024 exhibition at The Signifier : six : shot : gallery

and have been exhibited at Oriel Maenofferen Gallery 2018, 2017, 2015, 2013, 2011

a selection were published in the artist's book #Moelwyns (2013) 

    

     

the first and final posts in the #Moelwyns dispersed artwork - a 10-year project, March 2014 - 2024

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